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Georg Flegel Style life with herring beard man pitcher and Hirschkafer MK186
1635
Koln, Wallraf-Richartz-museum
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Georg Flegel Dessert style life mk186
around 1610 Munchen, old Pinakothek
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Georg Flegel Style life with parrot mk186
1630-38 munchen, old Pinakothek
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Georg Flegel Style life with wine glass and pretzel mk186
1637 Munster, Landesmusuem
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Georg Flegel Still life mk244
Oil on canvas
78x67cm
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Georg Flegel Maus und Papagei Title Deutsch: Wein und Konfekt, Maus und Papagei
Technique Öl auf Birnen- oder Rotbuchenholz
Dimensions 22 X 28 cm (8.66 X 11.02 in)
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Georg Flegel Krammetsvogel und Maronen 163x
Öl auf Rotbuche
25,5x24cm
cjr
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Georg Flegel Krammetsvogel und Maronen Date 163x
Medium Öl auf Rotbuche
Dimensions 25,5x24cm
cyf
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Georg Flegel Still-life with Parrot Oil on canvas
78 x 67 cm
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Georg Flegel Stilleben mit Brot und Zuckerwerk Oil on panel
21,9x17,1cm
cjr
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Georg Flegel Grobe Mahlzeitdarstellung 1638
29,5x46cm
cjr
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Georg Flegel Abendmahlzeit bei Kerzenschein 35,5x25cm
cjr
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Georg Flegel Kerzenstilleben Öl auf Buchenholz
21,9x15,8cm
cjr
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Georg Flegel Still life with Parrot undated (16th or 17th century)
Medium Oil on canvas
Dimensions 78 x 67 cm
cyf
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Georg Flegel Stilleben mit Brot und Zuckerwerk Medium Oil on panel
Dimensions 21,9x17,1cm
cyf
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Georg Flegel Grobe Mahlzeitdarstellung Date 1638(1638)
Medium Öl auf Kupfer
Dimensions 29,5x46cm
cyf
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Georg Flegel Grosses Blumenstuck Oil on canvas
61 ?? 44 cm (24 ?? 17.3 in)
cjr
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Georg Flegel Abendmahlzeit bei Kerzenschein Medium Öl auf Holz
Dimensions 35,5x25cm
cyf
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Georg Flegel Kerzenstilleben Medium Öl auf Buchenholz
Dimensions 21,9x15,8cm
cyf
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Georg Flegel Schrankbild Oil on canvas
92 x 62 cm (36.2 x 24.4 in)
cjr
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Georg Flegel
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1566-1638
Georg Flegel Location
German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
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